The good news– After a long hiatus, The Art of Black Dissent, will be back in action this September in Cleveland, Ohio.
Gabriella and La Tanya will share their collection and discuss protest art centered on Black Liberation at moCa Cleveland’s “Bound and Loaded” event on September 6th at 7 pm and September 7th at 1 pm, 11400 Euclid Heights Blvd, Glenville South (University Circle). The event is free.
Cleveland area friends – please join the discussion!
Some background info: The Art of Black Dissent is a traveling exhibition of artworks (mainly prints, photography, artist books, and ephemera) that Gabriella Svenningsen and
La Tanya S. Autry share via temporary installations at community spaces. Using the Socratic questioning method, they ask participants to reflect on and discuss racism, history, and current events in relation to the works of art on view. They first started this program at Yale University Art Gallery in 2016.
Participants, who have been high-school aged to senior citizens, have been enthusiastic about the interactive nature of the program and the ability to discuss complex and pressing social issues with other community members.
As it was quite popular, Gabriella and La Tanya expanded the reach of the initiative. Using their own collection of art objects (which is of course far more modest than Yale’s collection – they aren’t rich!, but still powerful), they started taking the pop-up to New Haven high-schools and libraries in 2017.
La Tanya and Gabriella love offering this program. Despite life interruptions caused by La Tanya’s moving across country for employment, years later they keep doing this work. It’s really one of the best things that they have ever done.
Cleveland area folks: Please tell your friends about the sessions and join us if you can.
September 6 – 7, 2019
We want to build freedom with you!
Our pop-up exhibition and dialogue program The Art of Black Dissent returns Wednesday, November 29th to New Haven’s Stetson Library at 6 pm.
200 Dixwell Avenue, New Haven, CT 06511
We are happy to share our collection with the Dixwell community once more.
Join us if you can!
To Do Justice: The Heroic Struggle for Human Rights, 1965; Francis Mead, F.T.P., 2017; Dalila Paola Mendez, Food Justice, 2016; Francis Mead, Frantz Fanon Wisdom, 2017; Norman Rockwell, The Problem We All Live With, 1963; Naomi Moyer, Black Women & Self Care: Thoughts on Mental Health, Oppression & Healing, 2015; Sons & Bros, Patrisse Cullors, Opal Tometi, Alicia Garza, 2016; A Man Was Lynched Today, c. 1936; Vision & Justice, Aperture, Summer 2016, Black Panther 1, 2016; Essence May 2017; Tyesha Thomas, Ten Things You Hate About Anita, 2016
PDF: The Art of Black Dissent-flyer-StetsonLibrary-11-2017
The Art of Black Dissent is one of the best things that we’ve ever created.
Over this past spring and summer, we collaborated with many New Haven area teachers and librarians to transition our project to non-museum community spaces. The students and other community members who participated in our sessions regularly shared insightful perspectives. So while our nation is embroiled in several crises at this moment, the responses and support we’ve encountered has made us feel hopeful about the future. Through working together, we can, as writer James Baldwin charged, make freedom real.
We’ve produced a short 1 minute video to highlight some of our favorite moments.
Hope to see you!
*limited to 25 participants
The Art of Black Dissent has been going strong this spring. We’ve been popping up all over New Haven.
New Haven Academy – March 2017
Institute Library – April 2017
Citywide Youth Coalition, New Haven Free Public Library – April 2017
Yale University, “Storytelling, Social Justice and Public Humanities,” American Studies class – April 2017
Metropolitan Business Academy – May 2017
The Art of Black Dissent, What Does Black Protest Look Like?, 2017, mixed media, 22″ x 30″
We were happy to participate in the Nasty Women New Haven exhibition last month at the Institute Library. As this initiative supports women’s rights, it intersects with our goal of racial justice.
It also encouraged us to consider how systemic gender bias has affected our collecting practices. When we reviewed our holdings, we found that most of the works were by male artists and depicted male subjects. This inequity especially troubled us because we oppose the widespread custom in the art markets as well as scholarly and museum spheres of preferential treatment for male artists.
Multiple factors contributed to our collusion in the disparity. As many of the objects in our collection relate to the 1960s, the tendencies of history colored our collecting practices. Scholarly accounts and documentary photography of the movement frequently spotlight men. Many of the signature photographs of the 1960s feature male leaders such as Dr. Martin Luther King, Jr., Malcolm X, Huey Newton, and Stokely Carmichael/Kwame Ture. Even today when artists appropriate those images and mix them with the new content they often re-inscribe gender imbalances in representation.
Dalila Paola, Food Justice, 2016
giclee print, 8” x 10”
When we responded to the Nasty Women New Haven exhibition’s call for participation, we began tearing our way out of this web by purposefully acquiring more works by women artists and representations of women. This clarified vision now shapes our ongoing activities. Now that we’ve heightened our awareness of this habit of inequity, we’ve joined the growing trend to center the organizing and achievement of women leaders.